Rushit Shah — Contemporary Indian Abstract ArtistRushit Shah (b. 1986, Vadodara) is a contemporary Indian abstract painter working between India, Singapore and Germany. This site is the official archive of his paintings, biography and acquisitions.Please enable JavaScript to view the full archive, or visit /works for the painting list.

Index — Works

40 of 40

Selected works.

Year

/

Sunset Doesn't Owe You Quiet, 2026 — a refusal of the postcard sunset: loud red strikes scraped across a dark ground.

Sunset Doesn't Owe You Quiet

Acrylic on canvas

The Skin Stops Lying, 2026 — teal and red impasto opening like a wound that's stopped pretending.

The Skin Stops Lying

Acrylic on paper

The Axis Holds, 2026 — orange and saffron mass arrested at the centre of a deep cobalt field.

The Axis Holds

Acrylic on canvas

What the Day Said Before It Left, 2026 — bone-white interruptions across an ink-dark plane, the evening losing its hold.

What the Day Said Before It Left

Acrylic on paper

Roots of Transformation, 2025 — a teal bloom emerging from a red field, the cracked medium catching gold-green at the seams.

Roots of Transformation

Acrylic on canvas

Nothing to Prove, 2026 — colour leaving, with no instruction to follow.

Nothing to Prove

Acrylic on paper

What Was Left Behind, 2025 — a gold-to-copper gradient threaded with a dark capillary network of drip; a surface still holding the trail.

What Was Left Behind

Mixed media on canvas

Roots of Rebirth, 2025 — a sharp green impasto bloom held at the centre of a vermilion ground.

Roots of Rebirth

Mixed media on canvas

When The Light Stayed, 2025 — orange, teal and white drip-lines woven across a saffron ground that refuses to dim.

When The Light Stayed

Acrylic on paper

I'm In Here Somewhere, 2025 — a self-portrait by distribution: red pulse points, cracking gold, holding cobalt.

I'm In Here Somewhere

Acrylic on paper

Arising from the Depths, 2025 — a network of dark capillaries surfacing through warm pigment on paper.

Arising from the Depths

Mixed media on paper

I've Stopped Hiding, 2025 — pale-white drips and crimson flecks scattered across a deep cobalt ground.

I've Stopped Hiding

Acrylic on paper

I Kept Saying Yes, 2025 — fine drip and line drifting across a faint rosewater wash.

I Kept Saying Yes

Acrylic on paper

Kissed by Petals, 2025 — soft layered surface on linen, traces of tender colour brushed across a creased ground.

Kissed by Petals

Acrylic on linen

What I Actually See, 2025 — sumi-ink gesture on warm gesso ground.

What I Actually See

Acrylic on paper

Tapni, 2025 — black, yellow and white striations fanning upward against a deep blue ground; the fire itself.

Tapni

Acrylic on canvas

Color As Thoughts, 2025 — dispersed pigment passing across an impasto ground; thought made visible.

Color As Thoughts

Mixed media on canvas

Eruption of Essence, 2025 — red, yellow, blue and white striations fanning outward across a fibrous surface; what was held in, breaking out.

Eruption of Essence

Mixed media on canvas

Eye of Enlightenment, 2024 — a tilted white-and-black eye over a horizon of ochre, a luminous triangle and gold bar centred against violet curtains.

Eye of Enlightenment

Acrylic on canvas

The Last Dance of the Leaves, 2025 — translucent forms drifting across a layered ground of reds, blues and umbers; leaves in descent.

The Last Dance of the Leaves

Mixed media on canvas

When We Were Many, 2025 — a cloud of teal, orange and pink dabs scattered across a cream canvas; the room after the centre is gone.

When We Were Many

Acrylic on canvas

Bloom Against the Noise, 2025 — drip splatters of red, ink and saffron over a cream linen ground.

Bloom Against the Noise

Drip, lacquer on raw linen

Passage Through, 2025 — green-cream wash dispersed with white splatter, the surface caught mid-crossing.

Passage Through

Acrylic on canvas

Untitled 005, 2022 — drip lacquer across a saffron field.

Untitled — 005

Pigment, lacquer, drip on saffron ground

Untitled 007, 2022 — oil stick on raw linen.

Untitled — 007

Drip, oil stick on raw linen

Untitled 010, 2021 — ink with a single crimson lacquer mark.

Untitled — 010

Ink, gesso, crimson lacquer

Untitled 011, 2020 — ink wash with fine line drawing.

Untitled — 011

Ink wash, fine line on raw canvas

Untitled 012, 2020 — white and mint dispersed across lampblack.

Untitled — 012

Pigment, white, mint on lampblack ground

She Was the Mirror, 2025 — black and ochre webwork scattered across a cream ground.

She Was the Mirror

Acrylic on paper

Primordial Awakening, 2025 — red capillaries climbing from a burning ground into a cream sky touched with teal.

Primordial Awakening

Mixed media on canvas

The Icy Mirror Within, 2025 — fine cobalt and pale-blue drips scattered across a creased, near-white ground.

The Icy Mirror Within

Mixed media on canvas

Untitled — 2026 / 03 — cracked saffron-yellow surface laced with black islands and faint teal threads.

Untitled — 2026 / 03

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Untitled — 2026 / 04 — sand ground laced with red veins, orange and teal speckle scattered across the surface.

Untitled — 2026 / 04

{{TODO: artist to supply}}

Untitled — 2026 / 05 — saturated orange and yellow field flecked with white and red spatter.

Untitled — 2026 / 05

{{TODO: artist to supply}}

I Am Stubborn As The Night, 2025 — a deep, night-built field on paper that refuses to brighten.

I Am Stubborn As The Night

Acrylic on paper

Rang-e-Ruh (Color of Soul), 2025 — a warm gold and peach field drifting through silver-grey filigree.

Rang-e-Ruh (Color of Soul)

Acrylic on canvas

When the Ocean Remembers, 2025 — a dense, weighted blue-black ground holding everything that was dropped into it.

When the Ocean Remembers

Acrylic on paper

When the Ocean Listens, 2025 — drifts of white spatter held inside a cobalt field, the surface listening between the waves.

When the Ocean Listens

Acrylic on paper

When the Ocean Looks Back, 2025 — crimson ground worked over with pale teal and white spatter; the watcher and the watched collapsing into one surface.

When the Ocean Looks Back

Acrylic on paper

Ashes Of Us, 2025 — teal and aqua capillaries spread across a copper-sand ground; warmth left behind.

Ashes Of Us

Mixed media on paper